The Lowdown on Ladyfest

The essential introduction to this year's Ladyfest, by staunch supporter Amy Bell.

, 16 July 2002

For a movement that was only supposed to last a couple of months, riot grrrl has done

pretty well for itself, thank you. Having enjoyed a resurgence of popularity in the last

few years amongst young feminists sickened with a still-sexist society, in the UK, the

movement is now proving itself to be the principal field in which third-wave feminist

beliefs and activism thrive healthily. For many girls in their teens and early twenties, riot

grrrl, with its empowering DIY ethos and all-inclusive vibe, has been their induction into

feminism. Equally importantly, also, nu-riot has spawned the only truly international

third wave feminist phenomenon: Ladyfest.

At the beginning of August, this “IKEA of festivals” (according to the August edition of

Diva magazine) is being held in London. Over a period of three days and four nights,

from August 1-4, workshops on everything from DJ-ing to cross-stitch, film screenings,

art exhibitions, and band nights are being put on in the name of Lady. This year alone,

little Ladyfests have sprung up from Amsterdam to Atlanta. And even before the acts

were finalised for London, there was talk on the Riot Grrrl UK mailing list of putting

together a committee for a Ladyfest Manchester in 2003. It is quite possibly the most

inspiring event that anyone, regardless of gender, can attend.

This year alone, little Ladyfests have sprung up from Amsterdam to Atlanta.

Ladyfest began life two years ago, when the first event was held in Olympia, Washington

DC. Its seeds were sown almost ten years previously, during the International Pop

Convention in the same city in 1991, when bands such as Bikini Kill, L7 and Fugazi came

together to create the first large-scale DIY fest involving ‘alternative’ music and culture.

The IPC’s Girl Night was the clear precursor to what was to follow at the turn of the

decade.

Ladyfest 2000 followed the Olympian tradition of festivals where people gather together

to share ideas and talents, showcasing and encouraging female artistic and political

abilities. It aimed to provide the tools by which women effected change, both in the

social and personal spheres, and suggested that attendees of the festival adopt and

adapt the Ladyfest model within their own culture and set up a similar event. This led to

Ladyfests, in amongst other places, Glasgow and Chicago in 2001.

Ladyfest is a breath of fresh air to gargantuan corporate music festivals where only a

sprinkling of women, if you’re lucky, perform every year. It’s a much-needed breather

from the constant ridicule that female performers encounter on a day-to-day basis. It’s

also the most potent feminist statement of the 21st century so far. Yet, arguments rage

over whether, in this supposedly ‘post-feminist’ age, a festival specifically championing

women in the arts is or is not a pointless anachronism.

Obviously these people

have never had to suffer the indignity of being ignored or patronised in music shops

There are usually two arguments in favour of the view that Ladyfest, as a concept, is

redundant. One follows the hopelessly naive, heartbreakingly ubiquitous view that ‘being

a female performer isn’t an issue any more. Why make it one?’ Obviously these people

have never had to suffer the indignity of being ignored or patronised in music shops by

dint of one’s gender, or asked to alter their art because it ‘comes across as a bit

feminist – people are going to think you’re a man hater’.

This is also not to mention the shit that women musicians, writers, artists – hell, women

in every walk of life – have to put up with in order to be taken seriously, and not merely

to be seen as a sex object, plaything, or, after the age of forty, a dried up old hag. So

yes, we’d like being a female performer not to be an issue any more, but it’s pretty darn

hard when your gender gets thrown back at you every time during the nightly cry

of ‘Show us your tits!’

The other has been raised by the band Angelica, amongst others, who ironically stated in

an interview at drownedinsound.com that ‘Ladyfest is too extreme’ and ‘it’s completely

alienating the male culture’ ironically because they played Ladyfest Glasgow last year

and will be at Ladyfest London in August. At least two of the band term themselves

feminists, but that’s a moot point.

Statements like this suggest that Ladyfest is a convention for utterly misandrist, shaven-

headed separatists who wish to castrate, if not kill all men, and create a super-race of

similar shaven-headed separatists, rather than a annual festival where women can

perform with other women (and even, horror of horrors, other men) in a safe, female-

friendly environment. Ladyfest provides a chance for women to feel valued up on that

stage for one night out of 365 – and that’s seen as too extreme? If there were Ladyfests

every night of the week, then women might be getting somewhere. Things being as they

are, performing at Ladyfest is often the most positive, rewarding experience a woman

has in her entire career.

finding women-only space is incredibly important if females are to feel

significant and worthy

As for alienating this nebulous ‘male culture’, the Bikini Kill song ‘White Boy’ springs to

mind: ‘I’m so sorry if I’m alienating some of you/Yr fucking culture alienates me!’

Ladyfest itself is open to both men and women, of all ages and backgrounds, and aims to

provide a welcoming space for all, so if any alienation is going on, it’s sure as hell not

intentional. And even so, although it’s not realistically something that one can or should

achieve daily, separating oneself from – for want of a less old-school word – the

patriarchy and finding women-only space is incredibly important if females are to feel

significant and worthy, both as artists and individuals.

Besides, if this so-called male culture is one that sees teenage boys struggle at school,

develop eating disorders because of the pressures of achieving that buff, six-packed look

that is supposedly the ideal masculine body shape, and account for 80% of all suicides

annually in the UK, then it doesn’t just need alienating. It needs to be thrown out with

the rubbish, and a new society that respects everyone on an individual level to be put in

its place.

Ladyfest, and all who sail in her, be it organisers, performers or punters, doesn’t deserve

this type of criticism and denigration. This is particularly because both Ladyfest Glasgow,

Ladyfest London and any future Ladyfests here are incredibly important for UK feminism

in general and young UK third wave feminists in particular. While their US counterparts

have annual memberships to organisations like the Third Wave Foundation, stage Take

Back The Night marches at their college campuses, and subscribe to publications like

Bitch and Bust, British women in their teens and twenties have no such outlets by which

their feminist beliefs can be affirmed. The largest feminist organisation in the UK, the

Fawcett Society, can be held responsible for a great deal of women’s activism in this

country, but arguably the issues on which it campaigns – increasing the number of

women in parliament, working towards achieving pay-packet parity with men, and

affordable childcare – do not often directly affect and therefore necessarily directly

interest girls of school and university age.

surely we can be

excused if we clasp this phenomenon to our collective bosom.

For the many Generation Y feminists in the UK (and there are probably more than you

think), there are precious few organisations or pressure groups to which they feel they

can align themselves, save riot grrrl and Ladyfest. Furthermore, the Glasgow event

proved so memorable and wonderful to those who participated, that surely we can be

excused if we clasp this phenomenon to our collective bosom.

Although Ladyfest itself may not make society more female-friendly in the long run, it is

certainly a feminist statement. It pushes to the fore women performers who are

marginalized and ridiculed by mainstream culture, and gives them an opportunity for

their voices to be heard. On a small island still very much far from equality, Ladyfest

makes women feel like they can rule the world for a few days. And surely that’s a good

thing.

Amy Bell is currently a philosophy student at Warwick University and is so excited that

she has her ticket for Ladyfest London already.

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