Ailsa Bristow looks at the second season of Masters of Sex and finds an approach to sexual awareness that is unashamedly political and unafraid of challenging viewers
David Fincher's Gone Girl, adapted from the novel by Gillian Flynn, has been simultaneously condemned as a misogynistic portrayal of women and hailed as the birthplace of a feminist icon. Lily Kendall investigates: does it deserve either of these accolades?
A disability campaign group implores people to stop describing disabled people as vulnerable. D H Kelly explores what vulnerability means, and the degree to which it is worth acknowledging