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<title type="text">The F-Word: Films</title>
<subtitle type="text">Contemporary UK feminism.</subtitle>
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<updated>2012-02-08T18:48:12Z</updated>


<entry>
<title type="text">9 Bob Note: ten short films showcasing new queer cinema </title>
<summary type="text">Selina Robertson reviews the queer shorts programme shown during this year&apos;s London Short Film Festival and finds all the mini-flicks passing her rigorous selection</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Reviews" />
<id>http://www.thefword.org.uk/reviews/2012/02/9_bob_note</id>
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<updated>2012-02-08T18:48:12Z</updated>
<published>2012-02-08T18:24:00Z</published>
<author>
<name>Selina Robertson</name>
<uri>http://www.clubdesfemmes.com/</uri>
</author>
</entry>

<entry>
<title type="text">The cultural narratives they are a-changin&apos;?</title>
<summary type="text">An unpleasant incident with a fellow cinema-goer notwithstanding, Chrissy D left a screening of The Girl With The Dragon Tattoo in high spirits and hopeful for a change of the tide in Hollywood&apos;s take on female leads in action movies</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Reviews" />
<id>http://www.thefword.org.uk/reviews/2012/01/Girl with the dragon tattoo</id>
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<updated>2012-02-03T16:36:13Z</updated>
<published>2012-01-19T23:45:55Z</published>
<author>
<name>Chrissy D</name>

</author>
</entry>

<entry>
<title type="text">Twilight: Breaking Dawn (Part One)</title>
<summary type="text">At pains to defend the latest chaotic and confused installment of The Twilight Saga, Mathilda Gregory reads it as a transgressive anti-fairytale about perils of femininity</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Reviews" />
<id>http://www.thefword.org.uk/reviews/2011/12/breaking dawn</id>
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<updated>2011-12-12T23:10:55Z</updated>
<published>2011-12-12T21:37:00Z</published>
<author>
<name>Mathilda Gregory</name>

</author>
</entry>

<entry>
<title type="text">The skin we live in: the mad, bad world of Pedro Almodóvar</title>
<summary type="text">Remaining spooked and preoccupied, Mhairi Guild still appreciates density and creativity of Almodovar&apos;s latest grotesque fairytale of not-only-gender identity, desire and power</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Reviews" />
<id>http://www.thefword.org.uk/reviews/2011/11/skin_we_live_in</id>
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<updated>2011-12-18T21:59:25Z</updated>
<published>2011-11-30T19:16:00Z</published>
<author>
<name>Mhairi Guild</name>

</author>
</entry>

<entry>
<title type="text">Beware the betrayal of women in politics </title>
<summary type="text">Taraneh Ghajar Jerven is disappointed with George Clooney&apos;s new film which renders women insignificant both on-screen and in politics</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Reviews" />
<id>http://www.thefword.org.uk/reviews/2011/11/ides_of_march</id>
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<updated>2011-11-04T18:19:36Z</updated>
<published>2011-11-04T11:39:00Z</published>
<author>
<name>Taraneh Ghajar Jerven</name>
<uri>http://www.taranehghajarjerven.com/</uri>
</author>
</entry>

<entry>
<title type="text">Tyrannosaur</title>
<summary type="text">Finding Tyrannosaur an unremittingly upsetting film, Chloe George salutes its ability to avoid clichés in the portrayal of violence against women</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Reviews" />
<id>http://www.thefword.org.uk/reviews/2011/10/tyrannosaur</id>
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<updated>2011-10-25T12:15:54Z</updated>
<published>2011-10-24T10:07:00Z</published>
<author>
<name>Chloe George</name>
<uri>http://edgeoftime.wordpress.com/</uri>
</author>
</entry>

<entry>
<title type="text">She Monkeys</title>
<summary type="text">Hailing the coming-of-age story of adolescent sexuality and fierce competition between female equestrians, Ania Ostrowska has her heart set on the youngest of three heroines</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Reviews" />
<id>http://www.thefword.org.uk/reviews/2011/10/she_monkeys</id>
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<updated>2011-10-13T10:42:57Z</updated>
<published>2011-10-13T10:44:00Z</published>
<author>
<name>Ania Ostrowska</name>

</author>
</entry>

<entry>
<title type="text">I don&apos;t know how she does it</title>
<summary type="text">This Hollywood blockbuster&apos;s heroine is a high-flying finance executive, but Diane Shipley argues that women across classes and careers share parts of her predicament and can applaud her small victories over a lazy husband and an over-demanding boss</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Reviews" />
<id>http://www.thefword.org.uk/reviews/2011/10/i_dont_know_how</id>
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<updated>2011-10-10T16:09:50Z</updated>
<published>2011-10-02T22:59:00Z</published>
<author>
<name>Diane Shipley</name>
<uri>http://www.dianeshipley.com</uri>
</author>
</entry>

<entry>
<title type="text">Heavenly Creatures</title>
<summary type="text">Revisiting the film she loved unconditionally as a teenager, Jess McCabe still finds its portrayal of two young perpetrators of a horrific crime highly compelling</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Reviews" />
<id>http://www.thefword.org.uk/reviews/2011/09/heavenly_creatu</id>
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<updated>2011-11-10T09:17:43Z</updated>
<published>2011-09-11T09:41:01Z</published>
<author>
<name>Jess McCabe</name>
<uri>http://www.jessmccabe.co.uk</uri>
</author>
</entry>

<entry>
<title type="text">Romcom roundup: the friends with benefits phenomenon</title>
<summary type="text">&apos;Friends with benefits&apos; is not such a novelty as a recent series of Hollywood films is trying to present it, says Evelyn Krampf, debunking the phenomenon as a mere plot device serving the usual goals of good ol&apos; heterosexist romcom </summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Reviews" />
<id>http://www.thefword.org.uk/reviews/2011/09/romcom_roundup</id>
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<updated>2011-09-13T03:05:59Z</updated>
<published>2011-09-06T21:02:00Z</published>
<author>
<name>Evelyn Krampf</name>

</author>
</entry>

<entry>
<title type="text">Break my fall</title>
<summary type="text">For those who can appreciate an at times painful study of relationship falling apart set in contemporary Hackney, the latest Harry Potter will be no competitor for Kanchi Wichmann&apos;s Break My Fall, suggests Selina Robertson</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Reviews" />
<id>http://www.thefword.org.uk/reviews/2011/07/break_my_fall</id>
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<updated>2011-07-28T13:57:55Z</updated>
<published>2011-07-28T13:58:00Z</published>
<author>
<name>Selina Robertson</name>
<uri>http://www.clubdesfemmes.com/</uri>
</author>
</entry>

<entry>
<title type="text">&apos;Because sex workers shouldn&apos;t have to be dead to be on film&apos; </title>
<summary type="text">Ania Ostrowska reviews the first ever London Sex Worker Film Festival and argues that sex workers&apos; rights are a feminist issue</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Films" />
<id>http://www.thefword.org.uk/reviews/2011/07/SexWorkersFilmFestival</id>
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<updated>2011-08-12T00:05:49Z</updated>
<published>2011-07-14T17:57:00Z</published>
<author>
<name>Ania Ostrowska</name>

</author>
</entry>

<entry>
<title type="text">Briseis in Troy and Stockholm syndrome</title>
<summary type="text">Far from being a feisty embodiment of female empowerment, Briseis in Wolfgang Petersen&apos;s Troy seems more of a victim in a Stockholm syndrome-type relationship. LucindaE traces how the ancient &apos;war prize&apos; story has been transformed into a consensual romantic arrangement to please contemporary audiences</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Films" />
<id>http://www.thefword.org.uk/reviews/2011/06/briseis_in_troy</id>
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<updated>2012-01-11T10:55:56Z</updated>
<published>2011-06-29T10:42:08Z</published>
<author>
<name>LucindaE</name>

</author>
</entry>

<entry>
<title type="text">Orgasm Inc</title>
<summary type="text">Mathilda Gregory reviews a documentary which examines efforts to solve women&apos;s sexual disfunction with a pill</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Films" />
<id>http://www.thefword.org.uk/reviews/2011/03/orgasm_inc</id>
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<updated>2011-03-11T22:23:41Z</updated>
<published>2011-03-11T22:10:25Z</published>
<author>
<name>Mathilda Gregory</name>

</author>
</entry>

<entry>
<title type="text">More to Mills and Boon than this</title>
<summary type="text">Guilty Pleasures chronicles three women&apos;s relationships with the saucy book production line that is Mills and Boon. But, asks Mathilda Gregory, why did the documentary makers misrepresent the publishing empire by means of one, unrepresentative, male writer?</summary>
<category term="/reviews/films" scheme="http://www.thefword.org.uk/" label="Films" />
<id>http://www.thefword.org.uk/reviews/2011/03/there_is_more_t</id>
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<updated>2011-05-03T08:34:02Z</updated>
<published>2011-03-11T11:05:50Z</published>
<author>
<name>Mathilda Gregory</name>

</author>
</entry>

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