Tillie Boyce reviews Margaret Atwood’s Hag-Seed and wonders whether too much is forgiven in this tender-hearted and thoughtful rewriting of Shakespeare’s The Tempest
The Royal Exchange in Manchester has a strong production in Hamlet but the high point for Suzanne Duffy remains Maxine Peake's barnstorming performance as the eponymous character
Katherine Wootton is blown away by new writing, Drag King Richard III, that explores trans experiences through Shakespearean dialogue and manages to get it just right
The F-Word is back in Edinburgh for the Fringe Festival. In this post, we review shows about vaginas, Christianity, Tourette's syndrome and Greek myths
Desdemona, A Play About A Handkerchief is a brilliant exploration of the characters who usually barely get to speak, never mind define their own conversation. Rita Suszek thoroughly enjoys an irreverent retelling of Othello
A self-professed Shakespeare snob Katherine Wootton gives Joss Whedon all the kudos he deserves for his new screen adaptation of Much Ado About Nothing