Lily Kendall hails Swedish director Ruben Östlund's latest film that regards its struggling male protagonists with sympathy but doesn't quite let them off the hook
David Fincher's Gone Girl, adapted from the novel by Gillian Flynn, has been simultaneously condemned as a misogynistic portrayal of women and hailed as the birthplace of a feminist icon. Lily Kendall investigates: does it deserve either of these accolades?