Alessia Galatini watches Netflix’s recent adaptation of L.M. Montgomery’s 1908 novel Anne of Green Gables and finds it takes a stand on what it means to be a good parent
Nick Beard watches The People v OJ Simpson and finds a nuanced portrayal with an appreciation of the deep societal prejudices informing and impacting on the case
Anastasia Wiltshire watches the first series of The Shannara Chronicles and is disappointed in the objectification of the two initially strong female leads, as they realise the key to saving the world lies in their own subjugation
Nick Beard welcomes Shadowhunters’ diverse casting when wider representation has often failed to reach television shows aimed at teenagers and young adults
Ailsa Bristow looks at Making a Murderer as part of a broader cultural trend in which women’s deaths are fetishised and made into a spectacle, while the women themselves are erased
D H Kelly watches a BBC drama set within Charles Dickens' novels, finding a selection of uncomplicatedly likeable young women, whose journeys to old age lack the development allowed for the men of the stories
Rashida Islam watches a recent BBC documentary about Sophia Duleep Singh and argues that, when it comes to Black activists throughout history, her story is not necessarily the most significant
Sarah Louisa Phythian-Adams watches a futuristic drama set in a fictional Northern American town circa 2046 and finds a refreshing change from the usual limitations placed on female characters in sci-fi
Nick Beard watches UnREAL, a drama that takes a wry look at the construction of reality TV and its effects on both the contestants and those behind the scenes
D H Kelly has a look at Louis Theroux's recent documentary, focused on the experiences of transgender children and their parents, and considers whether the programmme does justice to their stories